Kent Nagano

General Music Director, Hamburgische-Staatsoper

Music Director, Orchestre Symphonique de Montréal

Principal Guest Conductor & Artistic Advisor, Gothenburg Symphony Orchestra

Renowned for interpretations of clarity, elegance and intelligence, Kent Nagano is equally at home in music of the classical, romantic and contemporary eras, introducing concert and opera audiences throughout the world to new and rediscovered music and offering fresh insights into the established repertoire.  In addition to his positions in Hamburg, Montreal and Gothenburg recent and future guest engagements include Symphonieorchester des Bayerischer Rundfunk, London Symphony, Tonhalle Zurich, DSO Berlin and Orchestre dell’Academia Nazionale di Santa Cecilia. Kent Nagano records for DECCA. 

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Kent Nagano second season in Hamburg and South America tour

27 Aug 2016

Kent Nagano will soon be starting his second season as Chief Conductor of the Philharmonic State Orchestra Hamburg and as General Music Director of the State Opera Hamburg:

On 3 September...

Kent Nagano and OSM L’Aiglon recording wins ECHO Klassik award

26 Aug 2016

Kent Nagano and the Orchestre symphonique de Montréal are proud to announce that its complete recorded performance of L’Aiglon has won the ECHO Klassik, Germany’s most esteemed classical...

Kent Nagano opens the Vorsprung Festival

14 Jul 2016

Kent Nagano will open this year’s Vorsprung Festival by Audi Sommerkonzerte on 16 July. Kent will conduct four concerts at the festival, with highlights including Mozart’s Idomeneo with...

Kent Nagano premieres Turangalîla at the Staatsoper Hamburg

22 Jun 2016

On 3 July, Kent Nagano will conduct Hamburg Philharmonic State Orchestra at the Staatsoper Hamburg in the premier of Turangalîla - a new ballet by choreographer John Neumeier. The production...

Kent Nagano conducts Hamburg Opera and Hamburg Philharmonic Orchestra

12 Apr 2016

In April and May, General Music Director of Hamburg Opera, Kent Nagano, leads the Opera in three productions. Firstly, a revival of Wagner’s Tristan und Isolde a continuation of Berlioz’s...

Kent Nagano to lead Orchestre Symphonique de Montréal on extensive North American tour

02 Mar 2016

Music Director of Orchestre Symphonique de Montréal, Kent Nagano, leads his orchestra on a major 10 date tour of the United States from East to West coasts. The orchestra, under Maestro Nagano,...

Kent Nagano tours Germany with Göteborgs Symfoniker

03 Nov 2015

Kent Nagano, Artistic Advisor and Principal Guest Conductor of Göteborgs Symfoniker, is touring with the orchestra from 7 until 10 November 2015 in Germany. Soloists of the...

Kent Nagano’s season opening performance from Hamburg State Opera streamed live

18 Sep 2015

ARTE concert worldwide streaming from Hamburg, in cooperation with Binnenalster Filmfest and City Management Hamburg: Berlioz’ Les Troyens on 19 September at 8.45 pm (MESZ):


Kent Nagano: Prelude in Hamburg, season start in Montréal and Germany Tour with Göteborgs Symfoniker

09 Sep 2015

In September 2015 Kent Nagano begins his first season as General Music Director of the Hamburg State Opera and Chief Conductor of the Hamburg Philharmonic State Orchestra.


Kent Nagano conducts the premiere of L’Aiglon: son of Napoleon

17 Mar 2015

The OSM, director Daniel Roussel and Music Director Kent Nagano bring L’Aiglon, a rare and unknown piece from Arthur Honegger and Jacques Ibert on stage.


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Kent Nagano is renowned for interpretations of clarity, elegance and intelligence. He is equally at home in music of the classical, romantic and contemporary eras, introducing concert and opera audiences throughout the world to new and rediscovered music and offering fresh insights into established repertoire. Since September 2006, he has been Music Director of the Orchestre Symphonique de Montréal, a contract extended until 2020.  From the 15/16 season, he became General Music Director of the Hamburg State Opera and Philharmonic Orchestra. He is also Artistic Advisor and Principal Guest Conductor of Gothenburg Symphony a position he has held since September 2013.

A milestone at the helm of the Orchestre Symphonique de Montréal was the inauguration of the orchestra’s new concert hall La Maison Symphonique in September 2011. With the orchestra he performed the complete cycles of Beethoven and Mahler symphonies, Schoenberg's Gurrelieder, concert versions of Wagner's Tannhäuser, Tristan und Isolde, Das Rheingold, Honegger’s Jeanne d’Arc au Bûcher, Messiaen's Saint François d'Assise, and concert series featuring the works of Dutilleux (2010-2011) and Boulez (2011-2012).  Nagano has taken the orchestra on a country-wide tour of Canada and also to Japan, South Korea, Europe and South America and in March 2016 he took the orchestra on a coast-to-coast tour of the United States.  Their recordings together include Mahler’s Orchestral Songs with Christian Gerhaher, Beethoven’s Piano Concertos Nos. 4 & 5 and a complete recording of all the Symphonies by Beethoven of which the album “Ideals of the French Revolution” with Symphony No. 5 won a Juno award. In March 2015, Kent Nagano conducted the North American Premiere of L’Aiglon, a rare opera of Honegger and Ibert. This production has been recorded for release by Decca.

As Guest Conductor of Gothenburg Symphony he took the orchestra on a tour to China in April 2015 and later that year he conducted Leonard Bernstein's A Quiet Place both in Dresden and in Dortmund with Ensemble Modern in a new version that had its premiere in Berlin in November 2013. At the Hamburg State Opera Kent Nagano's first season began with the performances of Berlioz‘ Les Troyens and Debussy’s Pelléas et Mélisande, the world premiere of Toshio Hosokawa’s Stilles Meer and also Messiaen’s symphony Turangalîla with choreography by John Neumeier. In July 2014, he inaugurated the 3-year Vorsprung festival as part of Audi’s Sommerkonzerte in Ingolstadt and worked with ensembles such as the Czech Philharmonic, London Symphony Orchestra and Klangwerwaltung.

At the Bayerische Staatsoper, where he was General Music Director from 2006 to 2013, Kent Nagano commissioned new operas such as Babylon by Jörg Widmann, Das Gehege by Wolfgang Rihm and Alice in Wonderland by Unsuk Chin. New productions have included Mussorgsky’s Boris Godunov and Khovanshchina, Idomeneo, Eugene Onegin, Ariadne auf Naxos and Die Schweigsame Frau, Les Dialogues des Carmélites, St François d’Assise, Wozzeck, George Benjamin’s Written on Skin and Der Ring des Nibelungen.  With the Bayerisches Staatsorchester Nagano has toured throughout Europe and in Japan and together they have recorded Bruckner Symphonies No. 4, 7 and 8.

A very important period in Nagano’s career was his time as Artistic Director and Chief Conductor of the Deutsches Symphonie-Orchester Berlin, from 2000-2006.  He performed Schönberg’s Moses und Aron with the orchestra (in collaboration with Los Angeles Opera), and took them to the Salzburg Festival to perform both Zemlinsky’s Der König Kandaules and Schreker’s Die Gezeichneten, as well as to the Festspielhaus Baden-Baden with Parsifal and Lohengrin in productions by Nikolaus Lehnhoff.  Recordings with the Deutsches Symphonie-Orchester Berlin for Harmonia Mundi include repertoire as diverse as Bernstein’s Mass, Bruckner’s Symphonies Nos. 3 & 6, Beethoven’s Christus am Ölberge, Wolf Lieder, Mahler’s Symphony No. 8 and Schönberg’s Die Jakobsleiter and Friede auf Erden, as well as Brahms’s Symphony No. 4 and Schönberg’s Variationen für Orchester Op. 31.  In June 2006, at the end of his tenure with the orchestra, Kent Nagano was given the title Honorary Conductor by members of the orchestra, only the second recipient of this honour in their 60-year history.

Kent Nagano became the first Music Director of Los Angeles Opera in 2003 having already held the position of Principal Conductor for two years.  His work in other opera houses has included Shostakovich’s The Nose (Staatsoper Berlin), Rimsky Korsakov’s The Golden Cockerel (Châtelet, Paris), Hindemith’s Cardillac (Opéra national de Paris), Dialogues des Carmélites (Metropolitan Opera) and at the Salzburg Festival Les Contes d’Hoffmann, Zemlinsky’s Der Koenig Kandaules, Schreker’s Die Gezeichneten and the world premiere of Saariaho’s L’amour de loin.  Other world premieres include Bernstein’s A White House Cantata and operas by Peter Eötvös (Three Sisters), and John Adams (The Death of Klinghoffer and El Niño).

As a much sought-after guest conductor, Nagano has worked with most of the world’s finest orchestras including the Vienna, Berlin and New York Philharmonics, London Symphony, Symphonieorchester des Bayerischer Rundfunk, Chicago Symphony, Dresden Staatskapelle and Leipzig Gewandhaus. He has an ongoing relationship with DECCA and has also recorded for Sony, Erato, Teldec, Pentatone and Deutsche Grammophon as well as Harmonia Mundi, winning Grammy awards for his recordings of Busoni’s Doktor Faust and Floyd’s Susannah with Opéra National de Lyon, Peter and the Wolf with the Russian National Orchestra and Saariaho’s L’amour de Loin with the Deutsches Symphonieorchester Berlin. 

Born in California, Nagano maintains close connections with his home state and was Music Director of the Berkeley Symphony Orchestra from 1978-2008.  His early professional years were spent in Boston, working in the opera house and as assistant conductor to Seiji Ozawa at the Boston Symphony Orchestra.  He played a key role in the world premiere of Messiaen’s opera Saint François d’Assise at the request of the composer, who became a mentor and bequeathed his piano to the conductor.  Nagano’s success in America led to European appointments: Music Director of Opéra National de Lyon (1988-1998) and Music Director of the Hallé Orchestra (1991-2000).

August 2016