Piano

François-Frédéric Guy


Francois-Frederic Guy is regarded as one of the most fascinating pianists of his generation since his career was launched by his debut with Orchestre de Paris and Wolfgang Sawallisch in 2000.
Guy is an artist of immense interpretative authority and superlative technique. He has spent much of his career performing the works of Beethoven, recently completing recordings of the five concertos with Philippe Jordan, and the 32 Sonatas.  Guy has performed worldwide with orchestras such as the Berlin Symphony, Hallé, Philharmonia, London Philharmonic, Munich Philharmonic, Orchestre de Paris and San Francisco Symphony and conductors including Esa-Pekka Salonen, Bernard Haitink, Daniel Harding, Neeme Järvi and Michael Tilson Thomas.

François Frédéric Guy releases his Beethoven Sonatas Volume 3

29 Jan 2013

On the 29 February 2013 François Frédéric Guy released the final volume of Beethoven Sonatas completing the cycle of 32 Sonatas on the CD label Zig-Zag Territoires.

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François Frédéric Guy makes his debut with Orchestre Philharmonique du Luxembourg

11 Nov 2012

On 16 November François Frédéric Guy makes his debut with Orchestre Philharmonique du Luxembourg playing Saint Saens Piano Concerto No 5, conducted by Kazushi Ono.

François Frédéric Guy releases Beethoven Sonatas Volume 2 CD

01 Jul 2012

Zig-Zag Territories release Beethoven Sonatas Volume 1 played by François Frédéric Guy. This volume consists of 13 Sonatas.

“Here is an antidote to the identikit Beethoven, to sonatas (...

François Frédéric Guy directs from the keyboard Orchestre Philharmonique de Liege

27 Jun 2012

On 28 and 29 June 2012 François Frédéric Guy directs from the keyboard Orchestre Philharmonique de Liege with a programme of Beethoven's Piano Concerto No 1 and No 5.

François-Frédéric Guy to perform Beethoven sonatas at the Queen Elizabeth Hall

23 Feb 2012

As part of the Southbank’s International Piano Series, François-Frédéric Guy performs Beethoven sonatas at the Queen Elizabeth Hall on 20 March.  He has chosen three especially popular and...

François Frédéric Guy releases Beethoven Sonatas Volume 1 CD

13 Dec 2011

Zig-Zag Territories release Beethoven Sonatas Volume 1 played by François Frédéric Guy. This volume consists of 11 Sonatas. 

"If we had to find a similar approach amongst the great...

François Frédéric Guy releases Liszt Harmonies poétiques et religieuses & Sonata in B minor

01 May 2011

In May 2011 François Frédéric Guy released Liszt Harmonies poétiques et religieuses & Sonata in B minor. The Gramophone Magazine said of his Liszt: Harmonies poétiques et religieuse...

François-Frédéric Guy performs complete Beethoven piano sonatas

23 Mar 2011

Guy performs the complete Beethoven piano sonatas this month in a marathon series of recitals for Norfolk and Norwich Chamber Music. Rarely performed within the time frame of ten days, the sonatas...

François-Frédéric Guy embarks on a tour of Australia

01 Mar 2010

This month François-Frédéric Guy embarks on a nine concert tour of Australia. After a piano recital of Beethoven and Chopin he travels to Brisbane to perform Brahms’ Piano Concerto No 2 with the...

François-Frédéric Guy continues his Beethoven Project

19 May 2009

On 15 May François-Frédéric Guy continues his Beethoven Project with a performance of Concerto No 5 ‘Emperor´ at the Salle Pleyel with Philippe Jordan and the Orchestre Philharmonique de Radio...

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“This performance had gloriously earth-shattering force. Guy and Bavouzet are ideally matched in terms of virtuosity, and as they spun their chromatic webs and set up their walls of sound one could almost see Stravinsky’s processions of the ancients, and his maiden’s stamping dances.”

The Independent (Wigmore Hall - The Rite of Spring for two pianos) - Jul 2012

“He plays them in a highly Romantic style, with an immense dynamic range, prolongued pauses, and a more or less continuous rubato.. the effect is mainly enlivening, refreshing, and shocking in the right way”

BBC Music Magazine (Beethoven Sonatas Volume 1) - Mar 2012

“Guy's whole being seems to expand into the music and he embodies an emotional involvement through rhythmic flexibility; sonorous tone and a left hand the equal of his right in weight, articulacy and dynamic nuance”

Gramophone Magazine (Beethoven Sonatas Volume 1) - Mar 2012

“It is hard to play ‘famous’ pieces well:  Guy achieved this by allowing the music to simply emerge from the piano, shimmering and shifting on a single breath, expertly pedalled with a sensitively enunciated melodic line.”

Bachtrack (Moonlight Sonata, QEH recital, London) - Mar 2012

“An exceptional moment of shared intimacy, the Conductor and soloist were able to find throughout these pages the perfect colors and expressive restraint of a romance so assumed it no longer needed to find a language too whimsical or too loose. The beautiful freedom of François-Frédéric Guy's phrasing was in total harmony with the orchestra. Bliss.”

Altamusica.com (l’Orchestre de l’Opéra de Paris, Opera de Paris) - Jan 2011

“François-Frédéric Guy provided an extremely subtle interpretation of the [Liszt] Piano Concerto No. 2. showing off his game without deploying a wide range of dynamics and keeping a cool head at all times”

Classiqueinfo.com (Orchestre National de Lille, Auditorium du Nouveau Siecle) - Jul 2011

“On Sunday afternoon François-Frédéric Guy played the final notes of the last of Beethoven’s 32 piano sonatas.  The audience cheered in tribute to his mental and physical stamina and to his conscientious artistry in reflecting both the architecture and the detail of the great composer’s creation”

Eastern Daily Press (Beethoven piano sonata recital series, Norfolk and Norwich Music Club) - Apr 2011

“This is an opportunity to enjoy one of the greatest of musical experiences...[François-Frédéric Guy] brings out the essence of the music.  He can gently caress a phrase or else make it flow smoothly over the keyboard from top to bottom.  He puts shining steel into chord, or dark bronze.  When required, attack is instant, but quietest echoes will follow.  This is fine playing.”

Eastern Daily Press (Beethoven piano sonata recital series, Norfolk and Norwich Music Club) - Mar 2011

“... his innate direction of unity and contrast involves us in the mystery of the works of Beethoven - Guy is the music and above the music.”

Le Monde

“This 37-year-old French pianist captures the audaciousness and wild flights of the score and plays brilliantly. Yet there is remarkable clarity and poise in his performance. Textures are clear; every note speaks; no detail is fudged.”

New York Times (Review of CD: Beethoven: Piano Sonatas Nos. 8, 19, 29) - Jan 2007

“The natural manner and the acute sense of proportion that marked the Mozart was to be found also in Beethoven’s Emperor Concerto , where French pianist François-Frédéric Guy was a commanding and noble soloist.”

The Irish Times - Jun 2010

“This was worshipful Beethoven, Great-Man Beethoven, with the quirks and foibles smoothed away or elevated (in the so-called boogie-woogie variation of the final movement of Op. 111) into a kind of divine frenzy. Attacks were gentle, little nicks of detail varnished over into larger, greater gestures. And rather than making in-your-face assertions, Guy maintained a general tone of restraint. The final movement of Op. 110 in A-flat, was played with supreme control and a feeling of held breath; a chain of left-hand chords in the bass, building with mounting ferocity, pushed the music to some emotional brink, but were reined in sharply as the music returned to its fragile semblance of decorum...there was no denying the power and authority of Guy's performance.”

Washington Post - Nov 2009

“François-Frédéric Guy was the soloist – a young man who is becoming a world phenomenon as he specialises in the Beethoven concertos and sonatas. He’s not just thought about this concerto, which is often considered a gentle and mellifluous work, in contrast to the drama of the ‘Emperor’: he’s re-thought it, and found opportunities for drama and poetry that are often completely missed.”

City Life, Manchester (Bridgewater Hall, Halle Orchestra) - Apr 2010

“Liszt's Benediction was sheer revelation, the music's shimmering, airy textures outlined with the delicacy that Monet conveyed in his pink and blue views of the Rouen Cathedral. Guy turned Schumann's wretched suffering into a paean of consolation. Even in the seething stretches, the pianist never let Schumann's string of variations lose their rapturous theme.”

Washington Post - Jun 2005

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Francois-Frederic Guy is regarded as one of the most fascinating pianists of his generation since his career was launched by his debut with Orchestre de Paris and Wolfgang Sawallisch in 2000.

Guy has performed worldwide with orchestras such as the Berlin Symphony, Hallé, Philharmonia, London Philharmonic, Munich Philharmonic, Orchestre de Paris and San Francisco Symphony and world renowned conductors including Esa-Pekka Salonen, Bernard Haitink, Kazushi Ono, Marc Albrecht, Philippe Jordan, Daniel Harding, Neeme Järvi and Michael Tilson Thomas.

In recital he has performed in cities including London, Milan, Munich, Paris, Vienna and Washington, and at festivals including La Roque d'Anthéron, Chopin in Warsaw, International Beethoven Festival Bonn, Lucerne, AlpenKLASSIK in Bad Reichenhall, as well as Festival International de Colmar, Printemps des Arts de Monte-Carlo, La Roque d'Anthéron International Piano Festival and Cheltenham. After his debut recital in the Berlin Philharmonie, the Berliner Morgenpost wrote: ’Guy is a pianist of astonishing expressiveness, with immaculate pianistic technique...a man of the present even when he plays Schubert...’.

In 2008 Guy embarked on a major Beethoven project that has included recording and performing in concert all 32 Beethoven Sonatas and the 5 Piano Concertos. BBC Music Magazine said of his Emperor Concerto in the first volume: ‘it confirms Guy as one of the foremost pianists of his generation’. BBC Music magazine said of the 2nd and 3rd concertos ”with warmth and wit, Guy is impressive playing Beethoven”. Of his Op 7 from Beethoven Piano Sonatas Vol 1 released on CD by Outhere/Zig-Zag Gramophone Magazine said "he builds this movement, immense in spiritual scope, into a profoundly stirring ediffice."  US magazine Fanfare described his playing in Vol 2 “ If I had to describe Guy's overall approach, I would say he's a lyricist, in the best sense of the word. By this, I mean that  he goes for the long line, taking phrases in breaths, that correspond to a singer's cantilena. To the extent possible, Guy  overcomes the piano's inherent inability to produce a true legato the way the human voice, or a string or wind  instrument can - connecting one note to the next without space in between...” As part of this project Guy has performed the complete cycle of 32 Sonatas in cities including Washington, Paris and Monaco. Guy is a dedicated chamber musician and has included performing Beethoven’s chamber music for strings and piano with Tedi Papavrami and Xavier Phillips, beginning in 2012.

Guy’s recent release of Liszt: Harmonies poétiques et religieuses & Sonata in B minor CD received high acclaim. The Gramophone Magazine said "He is enthralling in the "Invocation", most opulent of curtain-raisers, mystical in the "Ave Maria"...this is a true act of musical devotion."  Other recordings include Brahms’s Piano Concerto No 2 with the London Philharmonic Orchestra and Paavo Berglund.

Recent orchestral appearances include Orchestre Philharmonique de Radio-France, Orchestre du Capitole de Toulouse, Sinfonia Varsovia and Orchestre Philharmonique du Luxembourg. Guy also recently made his conducting debut from the piano with Orchestre Phiharmonique de Liege. Recent recitals include appearances at the Wigmore Hall and Queen Elisabeth Hall in London as well as the Spivakov Hall in Moscow.

In addition to his admiration of Beethoven – whom he describes as “the Alpha and Omega of music” – he has special affinities with the music of Bartók, Brahms, Liszt and Prokofiev and a strong commitment to contemporary music with close links to composers such as Ivan Fedele, Marc Monnet, Gerard Pesson, Bruno Mantovani and Hugues Dufourt who dedicated his masterpiece "Erlkönig" to him. Most recently Guy performed the world premiere of Bruno Mantovani’s Double Concerto in Porto and Toulouse and En Pieces in Festival Musica in Strasbourg, a work dedicated to him.

François-Frédéric Guy is Artist in Residence at Metz Arsenal Hall.

May 2013